Director: Yu Wei -Jing

In 2022, Father decided to empty out and sell their old house in Taichung. For this, they had to tidy up and make room in their Taipei home as soon as possible. During the process, the siblings found books by the tidying guru Kondo Marie, and started a family revolution in the name of organizing methods. In addition to cleaning up their living spaces, it seemed that the relationships among family members were also untangled…

Director: Lin Wan-Yu

A-Chung carried a pair of exceptionally thin legs from a young age. He moved forward and tumbled with this body alone, experiencing the meaning of equality and its opposites. As a staff member in the theater, his paradoxical image was shaped by his strong upper body and uncontrollable legs. With the increasing awareness of equal rights 30 years later, A-Chung still used his body to express his opinions for the marginals.

Director: Hsu Ya-Ting

Going through the fight to preserve its campus, Losheng Sanatorium and Hospital retained only a corner of its grounds on the cliff and coexisted with the construction work of MRT. Having been a leader in the protest, Wen Chang is struggling with the decline of his physical health over the past 20 years. How can he stay resilient? As for Jing Ying, who has been continually feeding the homeless cats and dogs on the cliff, what choices does she have in the face of the encroaching construction?

Directors: Huang Pin-Yu & Chang Wei-Chih

The Z-generation brothers were overwhelmed by the emotions, sorrows and joys felt in real life, and the separation and death from family and loved ones. The elder brother hid his loneliness behind his strong appearance and was deeply trapped in the quagmire of depression. Standing at the pivotal point of their life’s journey, how could they become the persons they wanted to be while dealing with their social images and self-expectations?

Director: Huang Shu-Mei

Over the ten years, Ino has been passing down the Atayal culture with real actions, imparting all he learnt from the forest to children in Cinsbu. The audiences can feel his natural philosophy of life in his words and deeds. He makes people realize that there exists genuine, pure and beautiful relationship between human and myriad elements of nature.

Director: Yang Ching-Wen

I met Chi in Juvenile Reformatory School during my university participation in a service team aiming at juvenile justice. At first, I had high expectations for his future based on the letter Chi wrote to the service team. With more involvement of his chaotic life, many problems emerged, and I started to have doubts on whether I was able to enter his world.

Director: Chen Chiao-Wei

Located in Chishang Township, Taitung County, WildOne is the first wildlife hospital in Eastern Taiwan. It is also one of the very few wildlife rescue centers initiated solely by private individuals. With their passion for animals, this group of people come together in the hope to save more wildlife. However, can everything truly proceed so smoothly?

Director: Chen Shao-Chun

Taking the Taiwan-Hwa Ferry to visit grandfather's home on Penghu Island used to be a yearly routine for the director during her childhood. Several years ago, after her grandfather passed away, this routine came to an end. Now, the aging Taiwan-Hwa Ferry is about to retire. During its last few voyages, the director attempts to rediscover memories scattered in various places – some still intact, while others have faded away.

Where will the Taiwan-Hwa Ferry go after retirement, and what will be left behind?

Director: Xiao Yu-Ru

A corner in Taipei City. Hidden inside the basement of an old community apartment are 12 elderly individuals living alone. Residing in challenging environments, they took care of themselves and looked after each other. They remained passionate and resilient in their approach to life.

Director: Cheng Iong-Chyi

An elderly lived and worked quietly in the mountain. Contemplation and creation are the center of his life. He uses his works to convey emotions throughout his life, sculpting the statues in his mind day by day. He is a humorous, ordinary but unique artist. Each piece of creation has a story to tell and possesses a resilient vitality and beauty.

Director: Su Wei-Ming

Edward and Whale met in an online game. Edward is an engineer who just graduated from college, while Whale, who only has high school education, often changes jobs. Currently, Whale works as a clerk in service industry.

In a youth hostel where daylight is unseen and time has no meaning, two people live like migratory birds, watching other tenants come and go. For them, this place is never a real home, but an unexpected event is about to change their current lives.

Director: Su Yi-Hui

The elderly Rukai person once said, "One must finish building a house to become a true man." However, Da Ra Song had a dream that the stone house he built was deformed.

In order to live up to his powerful name, he collected lots of stones and began building a traditional house which is however illegal to current house regulations. In today's tribal community, once this stone house is completed, will it still be solely Da Ra Song 's home?

Director: Liao Ching-Yao

Polypedates megacephalus, a tiny, inconspicuous invasive species, multiply and spread rapidly. Their subtle, imperceptible presence send scientists and volunteers into repetitive cycle of investigations, removals, and humane interventions. On the other hand, Cane toads suddenly appears in Caotun Township, Nantou County. Their mating calls can be heard in the dark night from time to time.